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Re sistance

In a time when speed and surface often define worth, this textile was created slowly with care, intention, and deep respect for material, labor, land, and life. It holds a question: What do we value, and why?

The white handwoven stola, developed during my final year of fashion design studies, was not about producing a collection. It was a conceptual artwork - a visual and tactile statement on the values I hold dear. Rather than designing multiple outfits, I chose to invest deeply in one garment: thoughtfully researched, carefully made, and anchored in a set of guiding principles. It challenges the fashion system’s emphasis on novelty and quantity, and instead proposes a different rhythm, one of sustainability, respect, and meaning.

Through handwoven textile, sustainable sourcing, and quiet gestures, these work resist the systems that reduce value to profit and visibility. Instead, it honors invisible work, ancestral knowledge, animal and earth care, and the intimacy of making. This is both textile and testimony, a woven storie of resistance, tenderness, and the reimagining of value.

The White Stola

2019, Baby Brushed Alpaca sourced from Michell & Cia., Arequipa, Peru
Berlin, Germany

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Development and Research of Sustainable Design Strategies

2019, Printed book with handwoven binding, accompanying “The White Stola”
Bachelor Thesis, HTW Berlin, Germany

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A conceptual and material investigation into value, sustainability, and resistance through textile. The work focused on labor, material sourcing, and ethical design, culminating in a handwoven stola crafted from Peruvian baby brushed alpaca and a set of principles for future textile creation.

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